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Lorraine Hansberry (1930-1965) was born in Chicago as the
daughter of a prominent real-estate broker and the niece of a Harvard University professor
of African history. Her parents were intellectuals and activists, and her father won an
antisegregation case before the Illinois Supreme Court, upon which the events in A
Raisin in the Sun was loosely based. She studied at the University of Wisconsin for
two years, and in 1950 she moved to New York, where she started her career as a writer.
- (Mrs. Robert Nemiroff)
American playwright and painter, whose A
RAISIN IN THE SUN (1959) was the first drama by a black woman to be produced on Broadway.
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Raisin in the Sun
Click to order via Amazon
ISBN: 0679755330
Pub. Date: November 1994
Format: Mass Market Paperback, 151pp
Publisher: Knopf Publishing Group
Read a Review of the DVD Movie
From the Publisher
When it was first produced in 1959, A Raisin in the Sun was awarded the New York
Drama Critics Circle Award for that season and hailed as a watershed in American
drama. A pioneering work by an African-American playwright, the play was a
radically new representation of black life. "A play that changed American
theater forever."—The New York Times.
Sacred Fire
A Raisin in the Sun, written by the then twenty-nine-year-old Hansberry, was the
"movin’ on up" morality play of the 1960s. Martin had mesmerized millions, and
integration was seen as the stairway to heaven. Raisin had something for
everyone, and for this reason it was the recipient of the prestigious New York
Drama Critics Circle Award.
The place: a tenement flat in Southside, Chicago. The time: post—World War II.
Lena Younger, the strong-willed matriarch, is the glue that holds together the
Younger family. Walter Lee is her married, thirty-something son who, along with
his wife and sister, lives in his mother’s apartment. He is short on meeting
responsibilities but long on dreams. Beneatha (that’s right, Beneatha) is
Waiter’s sister—an upwardly mobile college student who plans to attend medical
school.
Mama Lena is due a check from her late husband’s insurance, and Waiter Lee is
ready to invest it in a liquor store. The money represents his opportunity to
assert his manhood. It will bring the jump start he needs to set his life right.
Beneatha tells him that it’s "mama’s money to do with as she pleases," and that
she doesn’t really expect any for her schooling. However, Mama wants to use her
new money for a new beginning—in a new house, in a new neighborhood (white).
Walter cries, and Mama relents. She refrains from paying cash for the house and
places a deposit instead, giving Waiter the difference to share equally between
his investment and Beneatha’s college fund. Walter squanders the entire amount.
Meanwhile, Mama receives a call from the neighborhood "welcome committee" hoping
to dissuade the family from moving in.
While roundly criticized for being politically accommodating to whites, Raisin
accurately reflected the aspirations of a newly nascent black middle class.
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To
Be Young, Gifted, and Black: Lorraine Hansberry in Her Own Words
Click to order via AmazonAuthor: Lorraine Hansberry, with James A. Baldwin
Publisher: NAL/Dutton
Date Published: September 1970
Format: Trade Paper
Created from Hansberry's plays, poems and writings, these vignettes feature monologues
supported by gospel singing and related instrumental music. 2 cassettes.
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The
Les Blancs: The Collected Last Plays
Click to order via AmazonAuthor: Lorraine Hansberry, Robert Nemiroff (Editor)
Publisher: Vin Bks
Date Published: November 1994
Format: Trade Paper
Here are Lorraine Hansberry's last three plays--Les Blancs, The Drinking Gourd, and What
Use Are Flowers?--representing the capstone of her achievement. Includes a new preface by
Jewell Gresham Nemiroff and a revised introduction by Margaret B. Wilkerson. |
The African American Audio Experience
Click to order via Amazon
Format: Compact Disc - Abridged, 5 CDs
ISBN: 006053527X
Pub. Date: January 2003
Publisher: HarperCollins Publishers The leading voices of
African-American letters come together in this essential collection of poems,
prose and theater performance.
One of the most significant occurrences in America during the 20th century
was the rise of African-American writers to the forefront of literature.
Documenting their views on American culture and its tragic and glorious history,
African-American writers' contributions reflected their struggle for equality
and paved the way into a brighter future for their country. This collection
includes selections of some of the best of those works, with an original
introduction by Nikki Giovanni:
Black Boy by
Richard
Wright. A classic of American autobiography, this subtly crafted
narrative chronicles one man's coming of age in the Jim Crow South. Performed by
Brock Peters.
A Raisin in the Sun by
Lorraine Hansberry. An
emotionally lacerating landmark of American theater, Lorraine Hansberry's
A
Raisin in the Sun is presented here with a full cast performance starring
Ruby Dee and Ossie Davis.
Excerpts from The
Nikki
Giovanni Poetry Collection. A collection of poems from one of the
most commanding voices to grace America's political and poetic landscape. Read
by the author.
Excerpts from the "Tall Tales" Chapter of Every Tounge Got to Confess
by
Zora Neale Hurston.
Collected in the 1920s, these stories pay tribute to the richness of Black
vernacular and reflect -- with wit, wisdom, compassion, and style -- the sorrows
and joys of the African-American heritage. Performed by Ruby Dee and Ossie
Davis.
Excerpts from
Langston
Hughes Reads. A Rare and exceptional recording on one of the greatest
American poets of the 20th century.
Three poems by
Gwendolyn Brooks. "We Real Cool," "Malcolm X," and "The
Sermon on the Warpland." Performed by
Ruby Dee.
Related Links
Women of Color
http://www.scils.rutgers.edu/~cybers/han.html
Voices in the Gap
http://www-engl.cla.umn.edu/lkd/vfg/Authors/LorraineHansberry
"Hansberry's work was a preview of the African-American spirit that engulfed the
nation in the historic changes of the Civil Rights Movement. Her writing foresaw feminism,
the Gay Liberation Movement and the demise of colonialism. She was a spearhead of the
future, a woman who refused to be confined by the categories of race and gender. "
Vintage Books Teacher's Guide
http://www.villard.com/acmart/raisintg.html
"The 1959 Broadway production of A Raisin in the Sun was a watershed in
theatrical history. At a time when there was perceived to be no black Broadway audience,
no commercial viability for a serious black play, and no significant "crossover"
white audience for a play about African Americans, the underdog Raisin achieved the
impossible: an all-out commercial and critical success. Indeed, its theretofore unknown
29-year-old playwright won the Best Play of the Year Award from the New York Drama
Critics, the first black author and only the fifth woman to do so."
http://www.ewing.k12.nj.us/ehs/tech/May%20Stuff/Modern/Hansberry/Hansbe.html
Metzger,Linda, ed. "Lorraine Hansberry." Black Writers.
Detroit: Gale Researchers Inc. 1991. p.146
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